CD Tremendum

sequenza21.com

août 2012

Harmonia Mundi’s third release of music by French composer Thierry Pécou (b. 1965) features the “carnival concerto” Tremendum (2005-’10) as its centerpiece. The version presented on this recording was revised to highlight the considerable talents of its interpreters. The influence of Brazilian carnival is overt, with boisterous syncopated rhythms clamoring for attention amid whistles and mallet percussion in a jubilant, dancing celebration.

Pécou’s Tremendum

Thierry Pécou: Tremendum, Ensemble Variances and Percussions Claviers de Lyon (Harmonia Mundi)

Harmonia Mundi’s third release of music by French composer Thierry Pécou (b. 1965) features the “carnival concerto” Tremendum (2005-’10) as its centerpiece. The version presented on this recording was revised to highlight the considerable talents of its interpreters. The influence of Brazilian carnival is overt, with boisterous syncopated rhythms clamoring for attention amid whistles and mallet percussion in a jubilant, dancing celebration. Cast in two movements Arbre des Fleurs (2010) for percussion quintet retains the carnivals sense of relentless energy and occasional whimsy, but the dissonance quotient is upped to create a spicier harmonic palette. More angst-filled too, and effectively so, is Soleil-Tigre (2009) for cello and piano, a piece that contains the ostinati which are Pécou’s signature; but these contend with the cello line’s throbbing, angular melodic gestures.
Paseo de la Reforma (1995-2011, perhaps the latter date implies a revision of an earlier piece?) is relentless in its reiteration of jazzy riffs. There is elegance in the instrumentation of the work, but the repetitions don’t transform as interestingly as the material tends to do in his more recent works. Another earlier piece, Danzón for solo flute, incorporates microtones, key clicks, harmonics, and multiphonics seamlessly in a pliant dance with considerable charm. Manoa (2005) features bass flute, employing a considerable array of technical extensions, in another composition that brings together traditional dance rhythms with gestures of the avant-garde: a microcosm of Pécou’s considerably wide ranging domain.

Article original sur sequenza21.com

L’Ensemble Variances est soutenu par Ministère de la Culture et de la Communication - Drac Normandie, Région Normandie, Spedidam, Sacem, Ville de Rouen, Odia Normandie, Onda. L’Ensemble Variances est membre de Fevis, Futurs Composés, Bureau Export et Profedim. Il est membre du Groupement d'Employeurs Solstice, subventionné par la Région Normandie.

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